Vera returns for Series 10 in 2020. Yeah! Four episodes coming our way. Season 10 begins airing January 12 in the UK and January 21 on BritBox for us USA folks. Read more below.
Although now likely, ITV’s cancellation doesn’t necessarily mean Sanditon will be forever lost at sea. As Davies told us: “The American co-producers are very keen to do a second series – we’re still living in hope.”
Dangling more carrots in front of our nose.
ITV’s dramatisation of the unfinished novel has offended the sensibilities of many Janeites. Alison Flood wonders if this makes sense
Soon Sanditon will be coming to PBS and those of you in the USA will be able to watch this production (January 12, 2020). Having seen it myself, I can say there is much to enjoy and much to cry about as well.
Sanditon is a continuation of Jane Austen’s novel, but you’ll only see the first episode cover the eleven chapters she wrote. From there, the story unfolds from another pen — well many pens from book adaptation to screen. It’s an engrossing story, not only about the main love interests of Sidney and Charlotte, but a story of endeavor, greed, foolishness, love, jealousy, and a myriad of other emotions all rolled up into wonderful characters. It will eventually grab onto you, hold your interest, and then break your heart cruelly at the end. It has nudity, sexuality, and a few shocking scenes.
Those who enjoyed the series have ranted and raved about the ending, and are now campaigning, insisting, and stalking ITV, the stars, writers, and producers to finish the story in Season 2. My gut tells me they won’t, but we’ll see.
The story is grossly unfinished, just as Jane died before finishing the book. Is it worth watching? Sidney and Charlotte’s journey is definitely worth the watch, the changing of a hurt man’s personality, the growing into womanhood of a young girl, laced with touching and beautiful scenes that will sweep you away in Episode 7 and early in Episode 8. There will be characters you love, hate, and could punch for their foolish ways. It’s heartbreakingly lovely altogether, and Sidney Parker definitely gives Mr. Darcy a run for his money.
The screenwriter says he used all the material from Austen’s work in the first half of the first episode.
(but throwing my tub of popcorn at Becky Sharp)
Vanity Fair, a classic story written by William Makepeace Thackeray in 1847-48, is back on the screen…again…as a TV mini-series, now streaming on Amazon Prime. This production is an ITV and Amazon Studios remake that includes seven parts.
Let’s be clear. This story has been portrayed in film and television more times than you can change your channel. Film versions: 1915, 1922, 1923, 1932, 1935, and 2004. Television versions: 1967, 1987, 1998, and 2018. I ask you, did we really need another remake?
To be honest, I find no fault in this production as it is lavish and well-acted. They’ve gone to great lengths on settings, war scenes, costumes, and outrageous hats to make this appear authentic to the time period.
Nevertheless, the character of Becky Sharp, in my opinion, doesn’t need to be memorialized again on screen. By the end of the story, I’ve had enough of this selfish, soulless, money hungry, and unempathetic woman as one can stomach. Having to watch her seven hours is pure torture. I find Becky Sharp as annoying as Lily Langtry when it comes to female leads in a book or film production. If you haven’t watched Lillie a 1978 TV series production, you’re missing out on another interesting female climbing the social ladder in English society who by the end of the story you grow to despise.
Okay, so putting aside my dislike of the main character, I cannot fault this new series to any great extent. The storyline, if you know nothing about the infamous Becky Sharp, is about a poor woman who is determined to climb the ladder of success through hook or crook. She hooks her victims, hoards her money, takes advantage of others to their financial ruin, and cares nothing deeply for the human beings around her to any great extent.
The characters in the story make their fortunes, lose their fortunes, die of strokes and heart attacks, and leave to their wealth and inheritance to the next person. Of course, what makes Becky tick as a human being is somewhat understandable. Orphaned at an early age, with an art teacher as a father and dancer as her mother, she hasn’t had the best of life so far. She suggests to her best friend in one of the last scenes she became a woman at eight years of age. Naturally, you do try to find a bit of sympathy for her plight that has her turned her into such a cold-hearted, money-hungry creature, filled with vanity.
Having seen the 2004 Movie with Reese Witherspoon, I thought the runtime of 141 minutes was enough of Becky for me to get the picture. Any screentime with James Purefoy is worth the watch as he looked especially dapper in his English military uniform as Captain Crawley.
If you’ve not seen any Vanity Fair renditions, I would recommend you tune into this longer version. Should the idea of watching seven, forty-seven-minute episodes (or 5.48 hours) of Becky Sharp’s personality rubbing you the wrong way, check out the movie version instead.