Stars: Antonio Banderas, Meg Ryan, Colin Hanks, Selma Blaire
(Straight to DVD in the US)
There was a time when Meg Ryan was America’s sweetheart on film. After seeing her in this movie with her Botox lips (some say implants) and a smile that makes her look like the Joker, I want to cry.
When the movie first started, I thought it interesting that the camera didn’t focus upon her face for a very long periods of time. Some shots were glancing seconds or side and back views. Now I know why. Even with makeup head on, and hair that kept falling into her face and obscuring her looks, it didn’t help to hide what had happened to Meg Ryan’s face. I wanted to grab her by the shoulders and cry “why?” It’s obvious that the cover for the DVD box has been Photoshop altered to repair the damage.
Looking beyond the physical changes to Meg, I cannot say that this movie had very many redeeming qualities rather than being a mildly entertaining romantic comedy. It played very limited worldwide, no doubt flopped, and then went straight to DVD in the United States. You’ve probably not seen it in theaters, that’s why.
It’s about a fat woman with low self-esteem, who has a dead husband that was a sod and in prison. One day her son, who turned out well and has a career with the FBI (played by Colin Hanks-Tom Hanks’ son), leaves on a hush-hush mission. Marty (Meg) flops on the floor of the airport after saying goodbye to drown herself with food and drink. Suddenly the light goes on that she needs to change after someone drops a quarter in her coffee cup as he walks by thinking she’s homeless. As a result of that one incident, she changes her ways and turns into a skinny rail with a protruding rib cage (the new look of beauty).
Her son, who hasn’t seen his mother in three years, returns home to find a changed body and a mother who is gone off the deep end. Rather than finding herself through traveling the world and studying various religions, as she tells him over dinner, I thought she lost herself instead. The woman has a loose screw. She’s running around dating various men, out at all hours of the night, and humping an 18-year old in her own home, who looks like he’s 16 with a mentality of a 14-year old. Frankly, it was crass.
Enters Antonio Banderas (Tommy), who we are led to believe is the “bad boy” art thief. He meets the family by accident, and suddenly becomes involved in their lives. Marty and Tommy fall in love, and supposedly have a hot scene in the bedroom playing itsy-bitsy spider. Well, I’d play anything in bed with Antonio myself, but the scene fails big time and is far from a tender moment of romance between two lovers – its’ a joke.
Everyone has secrets, it appears. Her son ends up investigating Tommy and is part of an FBI stakeout to watch his movements. The movie ends revealing he’s really not a bad boy after all. Ah, love. He kisses Meg’s Joker smile, and they live happily ever after.
I almost want to apologize for my lack in liking the movie. Instead, the only message I came away with it is this: Watch out for plastic surgery. It can kill a career.
On the lighter side, I’ve seen more recent pictures of Meg. She seems to be looking better as she embarks on her 51st birthday, and I’m not sure if that’s due to corrective surgery or not. However, she was so pretty to begin with, that I don’t understand why she had to mess with perfection and not choose to age gracefully like other stars.
What do you think ladies?
Favorite Lines: None.
Favorite Scenes: The Credits